David is a marble sculpture created by Italian sculptor Michelangelo bonaroti from 1501 to 1504. It is now collected in Florence Academy of fine arts, Italy. The sculpture is a marble statue with a height of 3.96 meters and a base height of 5.5 meters. The statue shows the image of a young and powerful naked man. His body is strong, his expression is firm, his muscles are full, and he has vitality. It seems that he can feel the beating of the blood vessels of the character's body, which highlights the tall image of David as a hero. "David" embodies the sacred beauty of human body and the great passion that David is about to burst out, thus becoming one of the male nude statues worth boasting in the history of Western art The statue of "David" is a naked, tall, muscular, and well-developed young man. His standing posture is very natural and graceful: his legs are naturally open, his right hand is drooping and relaxed, and his head is turned to the left. David's face looks exceptionally handsome, his eyes are clear and energetic, his nose is high, with prominent edges and corners, and he looks very three-dimensional. European men are generally tall and have a lot of hair. The men in this sculpture have thick and curly hair and more pubic hair. Michelangelo did not follow the predecessor's scene in which David stepped on the enemy's head after defeating the enemy, but chose the state when David was greeted by the battle. He meticulously portrayed David’s face before the battle: he stood confidently, with a brave posture, a handsome face, his head turned slightly to the left, his eyes were staring at the enemy closely, as if he was searching for the enemy far into the horizon. , Ready to enter a new battle at any time; he held the sling on his shoulder in his left hand, his right hand drooped naturally, slightly clenched like a fist; his right leg stood firmly on the ground, and his left leg was slightly bent slightly casually. The young hero stared straight ahead, his expression full of concentrated tension and strong will, and the great power accumulated in his body seemed to burst out at any time. Different from the previous habit of expressing the scene after the battle, Michelangelo here portrays the moment before the characters become passionate, making the work more artistically appealing. His posture seems to be a little restful, but his body posture shows a certain nervous emotion, which makes people feel a strong "movement in stillness". The statue is carved from a single piece of stone. In order to make the statue appear more majestic on the pedestal, the artist deliberately enlarged the head and two arms of the figure, making David appear more upright and powerful from the audience’s perspective. A sense of giant. The entire statue is majestic and strong, with ups and downs of muscles, strong and fit outline, and its face shows noble, brave, strong look and invincible spirit. These are exactly what the Italian people, who were ravaged by foreign invaders at the time, longed for. The sculptor placed the hope of the people and the ideal of a patriot on David. David's physique is majestic and fit, with a brave and strong demeanor. His body, face and muscles are tense and full, giving the statue an inner sense of tension and movement, reflecting all the external and internal idealized male beauty. The looming ribs and visible muscles of David's chest form undulating waves. And David’s head is tense, alert, and challenging. The harmony of head, neck and body implies that a proud male is unique when he exposes his body, like a rooster or a male phoenix. The sense of pride and boasting. David's hands are huge. While showing off the strength of men, the huge hands also exaggerate the psychological feelings of dedication, dedication, and confidence that men have when their sexual beauty and physical beauty point to the outside. David's waist is very attractive, "the waist became the main interest of the statue, from where all the other planes of the body radiated." On this tall statue, although in the overall structure, Michelangelo made some artistic exaggerations (such as large hand joints, long thighs, etc.) to enhance the feeling of hugeness, but every detail of it The precision of the anatomical structure is impeccable.